dystopia
I Am Mother
Until a recent general improvement in story output, the problem with many Netflix productions seemed to be an eschewing of rigorous script assessment, likely attributable to the subscription model prioritising quantity over quality. I Am Mother, a Netflix production from 2018,
I Am Mother
Until a recent general improvement in story output, the problem with many Netflix productions seemed to be an eschewing of rigorous script assessment, likely attributable to the subscription model prioritising quantity over quality. I Am Mother, a Netflix production from 2018,
Marriage Story
As a warning to parents about the awfulness of divorce and California divorce law in particular, this is a worthy essay. As an exploration of the many dimensions of pain entailed, it’s also a sterling effort. As an arrow aimed
Marriage Story
As a warning to parents about the awfulness of divorce and California divorce law in particular, this is a worthy essay. As an exploration of the many dimensions of pain entailed, it’s also a sterling effort. As an arrow aimed
The Florida Project
A more-than-you-can-eat pizza-slice of life, hot from the florid state – more specifically Orlando. It’s a short walk from Disneyland but a long, alligator-infested way downstream. The Florida Project features one of the most striking child performances in recent memory
The Florida Project
A more-than-you-can-eat pizza-slice of life, hot from the florid state – more specifically Orlando. It’s a short walk from Disneyland but a long, alligator-infested way downstream. The Florida Project features one of the most striking child performances in recent memory
Wheelman
The vaguely familiar Frank Grillo makes a classy and economical pitch at booting a Stallone/Van-Damme/Strachan tough-guy franchise. Director-writer Jeremy Rush has mashed Locke with Driver. As a car-chase movie, like nearly every car-chase movie other than Bullitt, it’s a fail. It
Wheelman
The vaguely familiar Frank Grillo makes a classy and economical pitch at booting a Stallone/Van-Damme/Strachan tough-guy franchise. Director-writer Jeremy Rush has mashed Locke with Driver. As a car-chase movie, like nearly every car-chase movie other than Bullitt, it’s a fail. It
The Shape of Water
Some strong elements combine to achieve less than their sum. A fine cast acts out some hot topics and at the helm is the director possibly trying harder than anyone else today to make movies that look good. It does
The Shape of Water
Some strong elements combine to achieve less than their sum. A fine cast acts out some hot topics and at the helm is the director possibly trying harder than anyone else today to make movies that look good. It does
Blade Runner 2049
Deckhard is back, Hampton Fancher is back, the rain is back, as is some of the neon, albeit faded behind some kind of airborne filth with lumps in it. Blade Runner in the eighties was a world crippled and depressed
Blade Runner 2049
Deckhard is back, Hampton Fancher is back, the rain is back, as is some of the neon, albeit faded behind some kind of airborne filth with lumps in it. Blade Runner in the eighties was a world crippled and depressed
Nightcrawler
Nightcrawler crawls over the line where news eats itself, not just blurring the report and the reporter but selling a kind of news that is self-creating, like reality television, with hapless unpaid actors forced to play out scenarios of some network
Nightcrawler
Nightcrawler crawls over the line where news eats itself, not just blurring the report and the reporter but selling a kind of news that is self-creating, like reality television, with hapless unpaid actors forced to play out scenarios of some network
Ghost In The Shell
A remake of the 1995 anime. That film’s story about semi-outlaw cyber cops chasing a rogue entity that has evolved out of the internet has been dispensed with for an episode of Find My Family, with lashings of chop socky in
Ghost In The Shell
A remake of the 1995 anime. That film’s story about semi-outlaw cyber cops chasing a rogue entity that has evolved out of the internet has been dispensed with for an episode of Find My Family, with lashings of chop socky in
Rogue One: A Star Wars Story
Rogue One feels like a heroine’s journey has been extracted from something originally conceived for an ensemble cast, leaving us with not quite enough of either. There are too many characters, talking so much about what they’re doing we don’t know what they’re doing.
Rogue One: A Star Wars Story
Rogue One feels like a heroine’s journey has been extracted from something originally conceived for an ensemble cast, leaving us with not quite enough of either. There are too many characters, talking so much about what they’re doing we don’t know what they’re doing.
Westworld (1973)
Michael “high concept” Crichton directs the film of his own screenplay (no novel this time). It becomes very clear where the idea for The Terminator came from as we watch Yuul Brynner reincarnate his The Magnificent Seven character in the form
Westworld (1973)
Michael “high concept” Crichton directs the film of his own screenplay (no novel this time). It becomes very clear where the idea for The Terminator came from as we watch Yuul Brynner reincarnate his The Magnificent Seven character in the form
Captain Fantastic
Drop-out survivalists are forced to re-enter mainstream society when a tragedy strikes. They’re like a family of doomsday preppers with a positive, if fortress, mentality and leanings toward Mao and Chomsky rather than the NRA (was this written in the 70s?). The
Captain Fantastic
Drop-out survivalists are forced to re-enter mainstream society when a tragedy strikes. They’re like a family of doomsday preppers with a positive, if fortress, mentality and leanings toward Mao and Chomsky rather than the NRA (was this written in the 70s?). The
Sicario
As Sicario overplays its quest to underplay itself, we arrive at a confused portrait of profound dysfunction. That may be an appropriate angle to take on another of America’s unwinnable wars (in this case the drugs and border war with Mexico),
Sicario
As Sicario overplays its quest to underplay itself, we arrive at a confused portrait of profound dysfunction. That may be an appropriate angle to take on another of America’s unwinnable wars (in this case the drugs and border war with Mexico),
Star Wars: The Force Awakens
For the first ten minutes or so there is nagging despair, even mourning. It feels like an awkward Star Wars themed high school reunion in a room littered with lifeless artefacts, with Disney and JJ Abrams strutting around bragging “lookit all
Star Wars: The Force Awakens
For the first ten minutes or so there is nagging despair, even mourning. It feels like an awkward Star Wars themed high school reunion in a room littered with lifeless artefacts, with Disney and JJ Abrams strutting around bragging “lookit all
Tomorrowland
Conflict being the essence of drama and all that, it’s not easy to pull an entertainment out of a pleasant scenario, unless it’s one under threat. In this case the utopian promise of Tomorrowland is in danger of never arriving. We’re presented with a rampant
Tomorrowland
Conflict being the essence of drama and all that, it’s not easy to pull an entertainment out of a pleasant scenario, unless it’s one under threat. In this case the utopian promise of Tomorrowland is in danger of never arriving. We’re presented with a rampant
The Big Sleep (1946)
Forty-something private detective Humphrey Bogart finds himself on the case in the City of Available Young Women, chasing tails and kicking arses. The biggest mistake you could make with this putative noir classic is rewinding to try and work out
The Big Sleep (1946)
Forty-something private detective Humphrey Bogart finds himself on the case in the City of Available Young Women, chasing tails and kicking arses. The biggest mistake you could make with this putative noir classic is rewinding to try and work out
Maps To The Stars
David Cronenberg’s Maps To The Stars presents a tragedy of corruption and inbreeding in high places, in this case the homes of Hollywood’s B-list. When cycles of abuse collide, incipient violence erupts and death steps in to clean up the entangling mess. A link isn’t entirely
Maps To The Stars
David Cronenberg’s Maps To The Stars presents a tragedy of corruption and inbreeding in high places, in this case the homes of Hollywood’s B-list. When cycles of abuse collide, incipient violence erupts and death steps in to clean up the entangling mess. A link isn’t entirely
Noah
God gets a bad rap in Noah, as Darren Aronofsky tries to construe a story that makes no physical, psychological or moral sense. A brood of hapless humans is disgorged out onto what looks like a barren coalfield with no recourse
Noah
God gets a bad rap in Noah, as Darren Aronofsky tries to construe a story that makes no physical, psychological or moral sense. A brood of hapless humans is disgorged out onto what looks like a barren coalfield with no recourse
Spring Breakers
Four american college girls on spring break take time out from underdressing and pouring alcohol inside and outside their bodies to engage in bouts of organised and and disorganised crime. In the latter half of the film they team up with
Spring Breakers
Four american college girls on spring break take time out from underdressing and pouring alcohol inside and outside their bodies to engage in bouts of organised and and disorganised crime. In the latter half of the film they team up with
The Purge
Extrapolated a few degrees sideways into a parallel future, America has undergone some kind of reboot. The ‘new founding fathers’ have reclaimed the night for freedom, the expression of which is an annual holiday where law and order are suspended
The Purge
Extrapolated a few degrees sideways into a parallel future, America has undergone some kind of reboot. The ‘new founding fathers’ have reclaimed the night for freedom, the expression of which is an annual holiday where law and order are suspended
Les Miserables
With every line sung rather than spoken and much of it internal monologue rather than dialogue, Les Miserables and musicals like it redraw the rules of what is cinematically permissible. Melodrama flourishes while realism diminishes in value almost entirely. In
Les Miserables
With every line sung rather than spoken and much of it internal monologue rather than dialogue, Les Miserables and musicals like it redraw the rules of what is cinematically permissible. Melodrama flourishes while realism diminishes in value almost entirely. In