survival
Civil War
Why Civil War? Alex Garland’s thing as a writer and sometimes director seems to be high-concept, high-quality 5-minutes-into-the-future speculations with problematic endings. 28 Days Later, Sunshine, Annihilation – all are dressed up in nice conceptions, vignettes and visualisations but find
Civil War
Why Civil War? Alex Garland’s thing as a writer and sometimes director seems to be high-concept, high-quality 5-minutes-into-the-future speculations with problematic endings. 28 Days Later, Sunshine, Annihilation – all are dressed up in nice conceptions, vignettes and visualisations but find
Furiosa
Those enamoured of George Miller’s winning way with physical stunts and effects will find some of their dismay at his adoption of CGI for the Max franchise warranted. Others curious to see how his flair for choreography at high speed
Furiosa
Those enamoured of George Miller’s winning way with physical stunts and effects will find some of their dismay at his adoption of CGI for the Max franchise warranted. Others curious to see how his flair for choreography at high speed
Dune (2021)
Despite the enormous amount of air displaced by the arrival of this, the third screen-telling of the Frank Herbert saga, Dune is unremarkable. It’s not bad at all. It’s a fun, big-screen, epic watch with pleasing production design, a fine cast
Dune (2021)
Despite the enormous amount of air displaced by the arrival of this, the third screen-telling of the Frank Herbert saga, Dune is unremarkable. It’s not bad at all. It’s a fun, big-screen, epic watch with pleasing production design, a fine cast
I Am Mother
Until a recent general improvement in story output, the problem with many Netflix productions seemed to be an eschewing of rigorous script assessment, likely attributable to the subscription model prioritising quantity over quality. I Am Mother, a Netflix production from 2018,
I Am Mother
Until a recent general improvement in story output, the problem with many Netflix productions seemed to be an eschewing of rigorous script assessment, likely attributable to the subscription model prioritising quantity over quality. I Am Mother, a Netflix production from 2018,
Whiplash
Does jazz really live at the Lincoln Centre? Is the way of the jazz warrior really from music school to there? Perhaps Whiplash’s original conception described a classical music prodigy, navigating a musical realm wherein the concept of genius is much
Whiplash
Does jazz really live at the Lincoln Centre? Is the way of the jazz warrior really from music school to there? Perhaps Whiplash’s original conception described a classical music prodigy, navigating a musical realm wherein the concept of genius is much
It Follows
How did this happen? Its like someone, while absently pondering mash-ups of horror sub-genres, put The Ring’s pass-it-on curse next to Halloween’s teenage body count and stumbled upon a Tutankhamun’s tomb of treasures. It Follows‘s simple premise of sexually transmitted
It Follows
How did this happen? Its like someone, while absently pondering mash-ups of horror sub-genres, put The Ring’s pass-it-on curse next to Halloween’s teenage body count and stumbled upon a Tutankhamun’s tomb of treasures. It Follows‘s simple premise of sexually transmitted
The Florida Project
A more-than-you-can-eat pizza-slice of life, hot from the florid state – more specifically Orlando. It’s a short walk from Disneyland but a long, alligator-infested way downstream. The Florida Project features one of the most striking child performances in recent memory
The Florida Project
A more-than-you-can-eat pizza-slice of life, hot from the florid state – more specifically Orlando. It’s a short walk from Disneyland but a long, alligator-infested way downstream. The Florida Project features one of the most striking child performances in recent memory
Wheelman
The vaguely familiar Frank Grillo makes a classy and economical pitch at booting a Stallone/Van-Damme/Strachan tough-guy franchise. Director-writer Jeremy Rush has mashed Locke with Driver. As a car-chase movie, like nearly every car-chase movie other than Bullitt, it’s a fail. It
Wheelman
The vaguely familiar Frank Grillo makes a classy and economical pitch at booting a Stallone/Van-Damme/Strachan tough-guy franchise. Director-writer Jeremy Rush has mashed Locke with Driver. As a car-chase movie, like nearly every car-chase movie other than Bullitt, it’s a fail. It
Blade Runner 2049
Deckhard is back, Hampton Fancher is back, the rain is back, as is some of the neon, albeit faded behind some kind of airborne filth with lumps in it. Blade Runner in the eighties was a world crippled and depressed
Blade Runner 2049
Deckhard is back, Hampton Fancher is back, the rain is back, as is some of the neon, albeit faded behind some kind of airborne filth with lumps in it. Blade Runner in the eighties was a world crippled and depressed
Alien: Covenant
As has been observed before regarding Prometheus, Alien: Covenant is trying to build conceptual sci-fi on the burial grounds of what began as a simple, stylish, terrifying horror story. This alleged prequel to the Alien saga, now in its second
Alien: Covenant
As has been observed before regarding Prometheus, Alien: Covenant is trying to build conceptual sci-fi on the burial grounds of what began as a simple, stylish, terrifying horror story. This alleged prequel to the Alien saga, now in its second
Rogue One: A Star Wars Story
Rogue One feels like a heroine’s journey has been extracted from something originally conceived for an ensemble cast, leaving us with not quite enough of either. There are too many characters, talking so much about what they’re doing we don’t
Rogue One: A Star Wars Story
Rogue One feels like a heroine’s journey has been extracted from something originally conceived for an ensemble cast, leaving us with not quite enough of either. There are too many characters, talking so much about what they’re doing we don’t
Westworld (1973)
Michael “high concept” Crichton directs the film of his own screenplay (no novel this time). It becomes very clear where the idea for The Terminator came from as we watch Yuul Brynner reincarnate his The Magnificent Seven character in the form
Westworld (1973)
Michael “high concept” Crichton directs the film of his own screenplay (no novel this time). It becomes very clear where the idea for The Terminator came from as we watch Yuul Brynner reincarnate his The Magnificent Seven character in the form
Captain Fantastic
Drop-out survivalists are forced to re-enter mainstream society when a tragedy strikes. They’re like a family of doomsday preppers with a positive, if fortress, mentality and leanings toward Mao and Chomsky rather than the NRA (was this written in the 70s?). The
Captain Fantastic
Drop-out survivalists are forced to re-enter mainstream society when a tragedy strikes. They’re like a family of doomsday preppers with a positive, if fortress, mentality and leanings toward Mao and Chomsky rather than the NRA (was this written in the 70s?). The
Steve Jobs
Screenwriters can be typecast, just like actors. With Steve Jobs, Aaron Sorkin cements his reputation as the go-to guy for stories about brilliant young men with personality issues – flawed, obnoxious but dazzling wunderkinds who could, might, or in Jobs’s case actually did
Steve Jobs
Screenwriters can be typecast, just like actors. With Steve Jobs, Aaron Sorkin cements his reputation as the go-to guy for stories about brilliant young men with personality issues – flawed, obnoxious but dazzling wunderkinds who could, might, or in Jobs’s case actually did
Sicario
As Sicario overplays its quest to underplay itself, we arrive at a confused portrait of profound dysfunction. That may be an appropriate angle to take on another of America’s unwinnable wars (in this case the drugs and border war with Mexico),
Sicario
As Sicario overplays its quest to underplay itself, we arrive at a confused portrait of profound dysfunction. That may be an appropriate angle to take on another of America’s unwinnable wars (in this case the drugs and border war with Mexico),
Star Wars: The Force Awakens
For the first ten minutes or so there is nagging despair, even mourning. It feels like an awkward Star Wars themed high school reunion in a room littered with lifeless artefacts, with Disney and JJ Abrams strutting around bragging “lookit all
Star Wars: The Force Awakens
For the first ten minutes or so there is nagging despair, even mourning. It feels like an awkward Star Wars themed high school reunion in a room littered with lifeless artefacts, with Disney and JJ Abrams strutting around bragging “lookit all
Tomorrowland
Conflict being the essence of drama and all that, it’s not easy to pull an entertainment out of a pleasant scenario, unless it’s one under threat. In this case the utopian promise of Tomorrowland is in danger of never arriving. We’re presented with a rampant
Tomorrowland
Conflict being the essence of drama and all that, it’s not easy to pull an entertainment out of a pleasant scenario, unless it’s one under threat. In this case the utopian promise of Tomorrowland is in danger of never arriving. We’re presented with a rampant
Mad Max : Fury Road
Max is back. The story hits the road early and stays there. The elevator pitch might be “Ellen Ripley vs Boko Haram on wheels”, with Max as the benevolent Michael Biehn or Lance Henriksen character. Since the second instalment the
Mad Max : Fury Road
Max is back. The story hits the road early and stays there. The elevator pitch might be “Ellen Ripley vs Boko Haram on wheels”, with Max as the benevolent Michael Biehn or Lance Henriksen character. Since the second instalment the
What Maisie Knew
Things are poised for the worst when parents divorce, but do not unfold via the expected trajectory – unless of course you’ve read the Thomas Mann novel upon which this tragi-redemption tale is based. Initially appearing to lack the requisite gravity
What Maisie Knew
Things are poised for the worst when parents divorce, but do not unfold via the expected trajectory – unless of course you’ve read the Thomas Mann novel upon which this tragi-redemption tale is based. Initially appearing to lack the requisite gravity
Only Lovers Left Alive
The perenniality of the vampire genre derives from its capacity for reinvention. Its form mimics its content in similar fashion to the zombie genre, each transcending death. In Only Lovers Left Alive, the immortality of Jarmusch’s vampire couple is a perfect foil
Only Lovers Left Alive
The perenniality of the vampire genre derives from its capacity for reinvention. Its form mimics its content in similar fashion to the zombie genre, each transcending death. In Only Lovers Left Alive, the immortality of Jarmusch’s vampire couple is a perfect foil