apocalypse
Civil War
Why Civil War? Alex Garland’s thing as a writer and sometimes director seems to be high-concept, high-quality 5-minutes-into-the-future speculations with problematic endings. 28 Days Later, Sunshine, Annihilation – all are dressed up in nice conceptions, vignettes and visualisations but find
Civil War
Why Civil War? Alex Garland’s thing as a writer and sometimes director seems to be high-concept, high-quality 5-minutes-into-the-future speculations with problematic endings. 28 Days Later, Sunshine, Annihilation – all are dressed up in nice conceptions, vignettes and visualisations but find
Furiosa
Those enamoured of George Miller’s winning way with physical stunts and effects will find some of their dismay at his adoption of CGI for the Max franchise warranted. Others curious to see how his flair for choreography at high speed
Furiosa
Those enamoured of George Miller’s winning way with physical stunts and effects will find some of their dismay at his adoption of CGI for the Max franchise warranted. Others curious to see how his flair for choreography at high speed
Don’t Look Up
Well sure it’s obvious. Sure, there are much better movies to compare it to. Sure, it’s not that funny. But maybe it’s not a comedy. Maybe it’s just a tragedy – a dramatic form contemporary audiences aren’t so familiar with.
Don’t Look Up
Well sure it’s obvious. Sure, there are much better movies to compare it to. Sure, it’s not that funny. But maybe it’s not a comedy. Maybe it’s just a tragedy – a dramatic form contemporary audiences aren’t so familiar with.
I Am Mother
Until a recent general improvement in story output, the problem with many Netflix productions seemed to be an eschewing of rigorous script assessment, likely attributable to the subscription model prioritising quantity over quality. I Am Mother, a Netflix production from 2018,
I Am Mother
Until a recent general improvement in story output, the problem with many Netflix productions seemed to be an eschewing of rigorous script assessment, likely attributable to the subscription model prioritising quantity over quality. I Am Mother, a Netflix production from 2018,
Blade Runner 2049
Deckhard is back, Hampton Fancher is back, the rain is back, as is some of the neon, albeit faded behind some kind of airborne filth with lumps in it. Blade Runner in the eighties was a world crippled and depressed
Blade Runner 2049
Deckhard is back, Hampton Fancher is back, the rain is back, as is some of the neon, albeit faded behind some kind of airborne filth with lumps in it. Blade Runner in the eighties was a world crippled and depressed
Westworld (1973)
Michael “high concept” Crichton directs the film of his own screenplay (no novel this time). It becomes very clear where the idea for The Terminator came from as we watch Yuul Brynner reincarnate his The Magnificent Seven character in the form
Westworld (1973)
Michael “high concept” Crichton directs the film of his own screenplay (no novel this time). It becomes very clear where the idea for The Terminator came from as we watch Yuul Brynner reincarnate his The Magnificent Seven character in the form
Tomorrowland
Conflict being the essence of drama and all that, it’s not easy to pull an entertainment out of a pleasant scenario, unless it’s one under threat. In this case the utopian promise of Tomorrowland is in danger of never arriving. We’re presented with a rampant
Tomorrowland
Conflict being the essence of drama and all that, it’s not easy to pull an entertainment out of a pleasant scenario, unless it’s one under threat. In this case the utopian promise of Tomorrowland is in danger of never arriving. We’re presented with a rampant
Mad Max : Fury Road
Max is back. The story hits the road early and stays there. The elevator pitch might be “Ellen Ripley vs Boko Haram on wheels”, with Max as the benevolent Michael Biehn or Lance Henriksen character. Since the second instalment the
Mad Max : Fury Road
Max is back. The story hits the road early and stays there. The elevator pitch might be “Ellen Ripley vs Boko Haram on wheels”, with Max as the benevolent Michael Biehn or Lance Henriksen character. Since the second instalment the
Noah
God gets a bad rap in Noah, as Darren Aronofsky tries to construe a story that makes no physical, psychological or moral sense. A brood of hapless humans is disgorged out onto what looks like a barren coalfield with no recourse
Noah
God gets a bad rap in Noah, as Darren Aronofsky tries to construe a story that makes no physical, psychological or moral sense. A brood of hapless humans is disgorged out onto what looks like a barren coalfield with no recourse
Pandora’s Promise
This unabashedly pro-nuclear documentary makes a good case, or rather an already well established case, that we need to find, by yesterday, a viable alternative to fossil fuels given the current dangers to human survival presented by combustion power. The
Pandora’s Promise
This unabashedly pro-nuclear documentary makes a good case, or rather an already well established case, that we need to find, by yesterday, a viable alternative to fossil fuels given the current dangers to human survival presented by combustion power. The
The Last Temptation of Christ (1988)
This devotional piece from Martin Scorcese (based on the novel by Nikos Kazantzakis) wavers between inspired moments of heresy and long stretches of being just another Jesus movie. While in its way wholly respectful to the prophets, it disrespects sacred
The Last Temptation of Christ (1988)
This devotional piece from Martin Scorcese (based on the novel by Nikos Kazantzakis) wavers between inspired moments of heresy and long stretches of being just another Jesus movie. While in its way wholly respectful to the prophets, it disrespects sacred
World War Z
The zombie genre’s relentless advance achieves infection of the upper hollywood echelons as Brad Pitt goes the way of the axe and the head shot. Zombiedom’s transmutation from resurrection to viral plague now seems complete (when was the last time
World War Z
The zombie genre’s relentless advance achieves infection of the upper hollywood echelons as Brad Pitt goes the way of the axe and the head shot. Zombiedom’s transmutation from resurrection to viral plague now seems complete (when was the last time
Oblivion
If you don’t mind your futuristic production design looking like an off the plan real estate brochure, Oblivion is a watchable post-catastrophic sci-fi. Humanity appears to have moved out of home, Tom Cruise and his assigned companion (Andrea Riseborough) are ensconced in
Oblivion
If you don’t mind your futuristic production design looking like an off the plan real estate brochure, Oblivion is a watchable post-catastrophic sci-fi. Humanity appears to have moved out of home, Tom Cruise and his assigned companion (Andrea Riseborough) are ensconced in
Cloud Atlas
This three hour omnibus interweaves six stories, some of which we may have been told before as The Island or Phantom of the Opera or One Flew Over The Cuckoo’s Nest. It’s not clear whether the stories are linked by
Cloud Atlas
This three hour omnibus interweaves six stories, some of which we may have been told before as The Island or Phantom of the Opera or One Flew Over The Cuckoo’s Nest. It’s not clear whether the stories are linked by
Lore
Cate Shortland reprises the themes of her previous feature Somersault with another tale about another girl who came down in the last shower, a hard rain that dumps her unarmed into a world corrupted. In Somersault, Abbie Cornish’s performance as
Lore
Cate Shortland reprises the themes of her previous feature Somersault with another tale about another girl who came down in the last shower, a hard rain that dumps her unarmed into a world corrupted. In Somersault, Abbie Cornish’s performance as
Life of Pi
The future of 3D cinema depends upon its exploration as an artform unique to itself – something closer to theatre or sculpture than to traditional cinema. Otherwise it seems to do little but offer novelty and a problematic highlighting of
Life of Pi
The future of 3D cinema depends upon its exploration as an artform unique to itself – something closer to theatre or sculpture than to traditional cinema. Otherwise it seems to do little but offer novelty and a problematic highlighting of
Beasts of the Southern Wild
A slight, sometimes imperceptible tale nevertheless remarkable and rewarding for its sheer lack of convention. It’s disorienting enough to leave us wondering whether we are watching an apocalyptic sci-fi, a myth retold, or just a minor extrapolation of events surrounding
Beasts of the Southern Wild
A slight, sometimes imperceptible tale nevertheless remarkable and rewarding for its sheer lack of convention. It’s disorienting enough to leave us wondering whether we are watching an apocalyptic sci-fi, a myth retold, or just a minor extrapolation of events surrounding
Take Shelter
Michael Shannon’s cheer squad raises this film’s critical rating. No one seems to agree on what it’s about though. As far as I could tell whilst watching, it was a film about mental illness that demanded much patience of its
Take Shelter
Michael Shannon’s cheer squad raises this film’s critical rating. No one seems to agree on what it’s about though. As far as I could tell whilst watching, it was a film about mental illness that demanded much patience of its