paradise lost
I Am Mother
Until a recent general improvement in story output, the problem with many Netflix productions seemed to be an eschewing of rigorous script assessment, likely attributable to the subscription model prioritising quantity over quality. I Am Mother, a Netflix production from 2018,
I Am Mother
Until a recent general improvement in story output, the problem with many Netflix productions seemed to be an eschewing of rigorous script assessment, likely attributable to the subscription model prioritising quantity over quality. I Am Mother, a Netflix production from 2018,
Black Panther
Judging by its reception, Black Panther did something right. Cinematically there’s not much to get excited about, but maybe there’s a lot to think about. Black Panther is ridden with cliches and its dialogue is entirely expositional. But underneath this painful
Black Panther
Judging by its reception, Black Panther did something right. Cinematically there’s not much to get excited about, but maybe there’s a lot to think about. Black Panther is ridden with cliches and its dialogue is entirely expositional. But underneath this painful
Valerian and the City of a Thousand Planets
Style triumphs so resoundingly here that substance has been driven almost entirely from the screen. Cara Delevigne wins by virtue of playing the only character that vacillates. Well actually the CGI white masai people are kind of interesting but only
Valerian and the City of a Thousand Planets
Style triumphs so resoundingly here that substance has been driven almost entirely from the screen. Cara Delevigne wins by virtue of playing the only character that vacillates. Well actually the CGI white masai people are kind of interesting but only
Blade Runner 2049
Deckhard is back, Hampton Fancher is back, the rain is back, as is some of the neon, albeit faded behind some kind of airborne filth with lumps in it. Blade Runner in the eighties was a world crippled and depressed
Blade Runner 2049
Deckhard is back, Hampton Fancher is back, the rain is back, as is some of the neon, albeit faded behind some kind of airborne filth with lumps in it. Blade Runner in the eighties was a world crippled and depressed
Captain Fantastic
Drop-out survivalists are forced to re-enter mainstream society when a tragedy strikes. They’re like a family of doomsday preppers with a positive, if fortress, mentality and leanings toward Mao and Chomsky rather than the NRA (was this written in the 70s?). The
Captain Fantastic
Drop-out survivalists are forced to re-enter mainstream society when a tragedy strikes. They’re like a family of doomsday preppers with a positive, if fortress, mentality and leanings toward Mao and Chomsky rather than the NRA (was this written in the 70s?). The
Tomorrowland
Conflict being the essence of drama and all that, it’s not easy to pull an entertainment out of a pleasant scenario, unless it’s one under threat. In this case the utopian promise of Tomorrowland is in danger of never arriving. We’re presented with a rampant
Tomorrowland
Conflict being the essence of drama and all that, it’s not easy to pull an entertainment out of a pleasant scenario, unless it’s one under threat. In this case the utopian promise of Tomorrowland is in danger of never arriving. We’re presented with a rampant
Mad Max : Fury Road
Max is back. The story hits the road early and stays there. The elevator pitch might be “Ellen Ripley vs Boko Haram on wheels”, with Max as the benevolent Michael Biehn or Lance Henriksen character. Since the second instalment the
Mad Max : Fury Road
Max is back. The story hits the road early and stays there. The elevator pitch might be “Ellen Ripley vs Boko Haram on wheels”, with Max as the benevolent Michael Biehn or Lance Henriksen character. Since the second instalment the
Noah
God gets a bad rap in Noah, as Darren Aronofsky tries to construe a story that makes no physical, psychological or moral sense. A brood of hapless humans is disgorged out onto what looks like a barren coalfield with no recourse
Noah
God gets a bad rap in Noah, as Darren Aronofsky tries to construe a story that makes no physical, psychological or moral sense. A brood of hapless humans is disgorged out onto what looks like a barren coalfield with no recourse
Grey Gardens (2009)
Thankfully not the grotesque vanity project one might have feared, this unflinching yet respectful biopic offers some worthwhile context and understanding of the Beales phenomenon, even if Barrymore and Lange’s evocation of the two Edies can never hope to entirely
Grey Gardens (2009)
Thankfully not the grotesque vanity project one might have feared, this unflinching yet respectful biopic offers some worthwhile context and understanding of the Beales phenomenon, even if Barrymore and Lange’s evocation of the two Edies can never hope to entirely
On The Road
Kerouac’s tale of his friendship with Neil Cassady (nee Dean Moriarty) plays like a journey of the apostles, as a lost tribe of disaffected youths pursue this charismatic narcissist back and forth across America. Rarely does a film let you
On The Road
Kerouac’s tale of his friendship with Neil Cassady (nee Dean Moriarty) plays like a journey of the apostles, as a lost tribe of disaffected youths pursue this charismatic narcissist back and forth across America. Rarely does a film let you
The Hobbit
An unmotivated hero throws in all his chips to join a troupe of homeless dwarves on a quest to reclaim their stolen inheritance. It’s an odd choice of action for the hero as the same dwarves have only just raided
The Hobbit
An unmotivated hero throws in all his chips to join a troupe of homeless dwarves on a quest to reclaim their stolen inheritance. It’s an odd choice of action for the hero as the same dwarves have only just raided
Beasts of the Southern Wild
A slight, sometimes imperceptible tale nevertheless remarkable and rewarding for its sheer lack of convention. It’s disorienting enough to leave us wondering whether we are watching an apocalyptic sci-fi, a myth retold, or just a minor extrapolation of events surrounding
Beasts of the Southern Wild
A slight, sometimes imperceptible tale nevertheless remarkable and rewarding for its sheer lack of convention. It’s disorienting enough to leave us wondering whether we are watching an apocalyptic sci-fi, a myth retold, or just a minor extrapolation of events surrounding
The Descendants
Take a bleak premise about infidelity and terminal comas and drizzle with saccharine. Clooney gets an oscar nomination for one of his most laboured and least convincing performances. Maybe it was really for The American. Watchable drama about family and
The Descendants
Take a bleak premise about infidelity and terminal comas and drizzle with saccharine. Clooney gets an oscar nomination for one of his most laboured and least convincing performances. Maybe it was really for The American. Watchable drama about family and