Steve Jobs

Screenwriters can be typecast, just like actors. With Steve Jobs, Aaron Sorkin cements his reputation as the go-to guy for stories about brilliant young men with personality issues – flawed, obnoxious but dazzling wunderkinds who could, might, or in Jobs’s case actually did

Goon

This thing threatens so much near-greatness its not immediately clear what’s holding it back. Sean William Scott (yes, Stifler) is barely recognisable, holds the lead spot effortlessly and earns a career reboot with help from a semi stellar indiewood cast